[any Twilight Sparkle bullshit is your own fault for dating a guy who it's been decided would be a unicorn in Equestria, so really you should've known.
But anyway, Salieri's just going to take another sip of that red-colored beverage, before leaning back against the table to explain]
As you know, the SQUIP has been attempting to create something that will have an affect on this so-called script. However, considering that music has been so intrinsically tied in with out experience here, I thought it would be good to consider that as well. Both the libretto--that is, the script--and the music have structure, but if they followed that, then it would be nothing but formulaic and predictable. Granted, audiences like a certain amount of predictability, hence the reason that having the structure works...but they also like being surprised. They like new, and different, and innovative, whether that's evoked via that music or the libretto or both.
So, with that in mind, whatever the SQUIP creates to give the Balladeer and Madame Leading Player their options, which they can take or discard, should have not only the structure and predictability, but it should also have an element of randomness--of chaos, if you will. To give them the opportunity for an unexpected twist. I know a bit about that, but I'm not as intimately familiar with it as you. [Salieri tilts his head back, downing the rest of what's in that glass before setting it aside, away from the SQUIP] Hence the need for your expertise.
no subject
But anyway, Salieri's just going to take another sip of that red-colored beverage, before leaning back against the table to explain]
As you know, the SQUIP has been attempting to create something that will have an affect on this so-called script. However, considering that music has been so intrinsically tied in with out experience here, I thought it would be good to consider that as well. Both the libretto--that is, the script--and the music have structure, but if they followed that, then it would be nothing but formulaic and predictable. Granted, audiences like a certain amount of predictability, hence the reason that having the structure works...but they also like being surprised. They like new, and different, and innovative, whether that's evoked via that music or the libretto or both.
So, with that in mind, whatever the SQUIP creates to give the Balladeer and Madame Leading Player their options, which they can take or discard, should have not only the structure and predictability, but it should also have an element of randomness--of chaos, if you will. To give them the opportunity for an unexpected twist. I know a bit about that, but I'm not as intimately familiar with it as you. [Salieri tilts his head back, downing the rest of what's in that glass before setting it aside, away from the SQUIP] Hence the need for your expertise.