It's Curtains Mods (
stagemanagers) wrote in
curtainsdown2021-06-12 11:09 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
the mark of those who cannot be saved
[You remember dying. Maybe the memory is clear and bright and your body still aches from the cause. Maybe it was fast enough that you didn't feel it and don't remember what you went through. But no matter how you went out, that's no excuse for truancy! Which is to say: you are still in the school.
For those executed, you will wake up in your beds. The dormitories look exactly as they did when you first arrived, without any of the changes or personal effects you and your dormmates might have made. The only real difference is that the little cot in Ambassador isn't there.
For those who were victims, you will wake where your body was discovered. All of your injuries are gone, and you feel fine. It's almost like you're still alive - but you remember what happened to you. It couldn't have just been a dream, could it?
The school looks much as you remember it, save perhaps for a few key differences. For one, there's no groundhog murals anywhere. Where things were green on the other side, like banners or paint, you'll find that here they're blood red.
The doors, for the moment, are still locked. Looks like even death couldn't free you.]
Week 1 | Week 2 | Week 3 | Week 4 | Week 5
(( ooc: Welcome to deadland, everyone! It mostly resembles the school here, and new floors will be revealed after new people die. For example, the second area will unlock after the week 3 dead arrive, and so on. Also, all dead characters will wake up at their actual canonpoint, with all lost memories restored. Have fun being dead! ))
For those executed, you will wake up in your beds. The dormitories look exactly as they did when you first arrived, without any of the changes or personal effects you and your dormmates might have made. The only real difference is that the little cot in Ambassador isn't there.
For those who were victims, you will wake where your body was discovered. All of your injuries are gone, and you feel fine. It's almost like you're still alive - but you remember what happened to you. It couldn't have just been a dream, could it?
The school looks much as you remember it, save perhaps for a few key differences. For one, there's no groundhog murals anywhere. Where things were green on the other side, like banners or paint, you'll find that here they're blood red.
The doors, for the moment, are still locked. Looks like even death couldn't free you.]
(( ooc: Welcome to deadland, everyone! It mostly resembles the school here, and new floors will be revealed after new people die. For example, the second area will unlock after the week 3 dead arrive, and so on. Also, all dead characters will wake up at their actual canonpoint, with all lost memories restored. Have fun being dead! ))
no subject
...lets it out, slowly. Fine. It has these emotions. It will not be ruled by them, so- rethink. There's still a deep scowl on its features as it considers from multiple angles, considers possible futures, end results, goals, reasons, purpose
And finally, it opens its eyes to meet Salieri's. It still doesn't look happy.]
Give me thirty minutes to back up my work, or give me thirty minutes of advance notice before you bring him in.
no subject
Go ahead and do what you need to. I'll be back in half an hour with Discord.
no subject
it'll just start. pulling out some notebooks and prepping for chaos as best as it can.]
no subject
no subject
no subject
Discord.
no subject
Because I haven't even gotten a chance to start.
no subject
And this isn't about your explosions.
no subject
Yes, of course, my apologies.
Are you just here to weigh in on glitter colors?
no subject
[he folds his arms, leaning on the wall]
However, if you do happen to fine some black or purple glitter...
no subject
[the things he does for you...]
So, what did you come for, then?
no subject
[as for that other thing]
...I've been working with the SQUIP this morning on that bit it said it was writing. The one that could possibly change this so-called script and affect the story.
no subject
[IMMEDIATELY he is less interested in this conversation, just looking at his little bottle of glitter and shaking it as if this was a scientific experiment.]
I'm sure that must be a really exciting time.
no subject
Working with the SQUIP isn't on my list of fun past times either. [drawled, annoyed.] However, if what it's working on could counter what the Wizard does...at this point, it's our best shot.
no subject
I don't envy you one bit, though.
[If he had to actually work with the SQUIP and be forced to get stuff done? He'd lose his mind, he's pretty sure.]
no subject
no subject
no subject
[drawled, again]
no subject
...Go on, then, out with it.
no subject
no subject
[Is he being obtuse on purpose? Absolutely.]
no subject
The SQUIP is too orderly, unsurprisingly. [Salieri sighs, letting annoyance seep into his tone] Being made of pure order, etc, etc. [he waves a hand] Therefore, it cannot seem to access the impulsivity and twists that a good musical performance needs.
Though I have plenty of experience combining both structure and order with emotional inflection, I'm afraid it puts me at a disadvantage in this, seeing as I am a master of neither end. Which is why I think someone who is an expert on that sort of chaotic impulsivity is essential to making this work.
[just. Looking at him. Calmly. But Directly.]
no subject
[As he pointedly looks through a day planner that just appeared.]
Let's see, bombs, bombs, bombs, lunch, more bombs-- I simply haven't the time!
no subject
Believe me, I'm well aware that, if you had your druthers, the SQUIP would be dropped back into that container of red liquid and never heard from again.
That being said...as much as I hate to admit it, it is actually constructing something of merit, or at least attempting to, but due to its limitations, cannot complete it on its own.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
2/4 i lied
3/4
4/4
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/3
2/3
3/3
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)