It's Curtains Mods (
stagemanagers) wrote in
curtainsdown2020-07-11 07:39 pm
Entry tags:
now let's skip the tears and start on the whole-
[You remember dying. Maybe the memory is clear and bright and your body still aches from the cause. Maybe it was fast enough that you didn't feel it and don't remember what you went through. But no matter how you went out you're still trapped here.
When you open your eyes it might take you a minute to recognize your surroundings. For the executed, it's your dressing room. For the victims, you startle awake in the place your body was discovered. But no matter where you are nothing is where you remember it. It's like everything has been picked up and moved to the other side of the room. The entire room has been perfectly mirrored from what it used to be and, upon leaving, it seems the rest of the opera house is just the same. If you remember one room being in the east wing, it's now in the west. If it was in the west, it's now in the east.
Welcome back to the Opera House, friends. Even in death you're still in the woods.]
WEEK 1 | WEEK 2 | WEEK 3 | WEEK 4 | WEEK 5
[ooc: Welcome to deadland, darlings! It's a perfectly mirrored version of the Opera House and each week, as new people die after new floors have been revealed, the stairwell doors will unlock and allow you to reach them. For example, week 3 victims will unlock floor 2 and so on and so forth. Also, all dead characters will wake up at their actual canon point.
Have fun because we have some fun things planned for you.]
When you open your eyes it might take you a minute to recognize your surroundings. For the executed, it's your dressing room. For the victims, you startle awake in the place your body was discovered. But no matter where you are nothing is where you remember it. It's like everything has been picked up and moved to the other side of the room. The entire room has been perfectly mirrored from what it used to be and, upon leaving, it seems the rest of the opera house is just the same. If you remember one room being in the east wing, it's now in the west. If it was in the west, it's now in the east.
Welcome back to the Opera House, friends. Even in death you're still in the woods.]
[ooc: Welcome to deadland, darlings! It's a perfectly mirrored version of the Opera House and each week, as new people die after new floors have been revealed, the stairwell doors will unlock and allow you to reach them. For example, week 3 victims will unlock floor 2 and so on and so forth. Also, all dead characters will wake up at their actual canon point.
Have fun because we have some fun things planned for you.]

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He deserved it. He had to die before he could hurt anyone else-
Get up.
Ser Proletius couldn't break from the spell. The infection is irreversible.
Yet I live. I have become immortal.
It's a battle to even stay on the bed. Something is wrong. He should be dead!]
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The door to Angus' room opens, and Richard leans against the doorframe, more for support than to look cool.]
Well, well, well.
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It settles on an attempt at a smile.]
Your majesty.
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Too bad for Evil!Angus, Richard's returned memories have reminded him of his character development, and he's not quite the utter boob you may remember.
When Richard sees the metaphorical roulette wheel spin and land on the answer he doesn't want to see, his expression hardens and his blue eyes turn icy.
The One True King glares coldly, unmoved by the attempt at a smile.]
Don't 'Your Majesty' me, we saw what you did. Give me a reason why I shouldn't lock you in here and bar the door.
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[Doesn't that feel good?]
Tell me, where am I?
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You're lucky that you're already dead, or I would have wrung your neck myself.
[He Does Not Fuck Around when his BABY CHILD was threatened.]
Not quite Hell, fortunately for you.
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Oh? I heard it is not that bad of a place.
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He doesn't even blink, just reaches out his arm to block the whole doorway.]
I'm not letting you pass.
Let. Me talk. To my friend.
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[What sort of person does not let a prince go as he pleases?]
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[What is a Prince to a King?]
My friend would never threaten Tad Cooper.
[Richard's hard blue eyes scan Angus' face for any trace of the man he'd trusted with his loyal dragon.
And when he speaks again, the ice is gone, although he doesn't sink so low as to plead.]
You're strong, Angus. You are a fighter. So fight this with everything you can.
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[Ah. People are quite whiny about it.]
I'm not killing him. He would have been an undead warrior steed. [Very different things, obviously.] He must be indestructible if I am to ride him into battle.
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[I mean REALLY.
Richard huffs.]
I'm not letting anyone but the real Angus leave this room.
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[He rolls his eyes at this display of ignorance.]
How many times must I repeat myself? I am still Angus. All that has happened is the injection of new powers into my veins.
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[Stubborn.]
You're dead. Those "powers" don't exist here. You can fight off their hold on you.
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[Angus your body is in PIECES, it's not ablaze with shit.]
And until you return to your senses, I refuse to let you out where you can hurt anyone else.
[And he's gonna try to shut the dressing room door.]
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You won't tell me where I can go!
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The door is easily jerked out of his hand. He counters by throwing a punch with the other.]
Damn it! Snap out of it, man!
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That feels good.]
Do you wish to die again, old man? Then stop annoying me.
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You made me bleed my own blood!
[He's just going to. Use his height advantage and try to push Angus back into his messy room.]
This has to stop now
Whatever it is that's got hold of you
We'll fix it together, we'll make it through
I'll see that it is done!
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[He pushes back against Richard. Two grown men, showing each other in and out of a room like children.]
This has to stop now
This thing where you think that you are my friend
And don't even hear how you condescend
The way you've always done
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My friend, just listen-
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I'm listening.
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I know it isn't true...
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Isn't it?
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