It's Curtains Mods (
stagemanagers) wrote in
curtainsdown2020-07-11 07:39 pm
Entry tags:
now let's skip the tears and start on the whole-
[You remember dying. Maybe the memory is clear and bright and your body still aches from the cause. Maybe it was fast enough that you didn't feel it and don't remember what you went through. But no matter how you went out you're still trapped here.
When you open your eyes it might take you a minute to recognize your surroundings. For the executed, it's your dressing room. For the victims, you startle awake in the place your body was discovered. But no matter where you are nothing is where you remember it. It's like everything has been picked up and moved to the other side of the room. The entire room has been perfectly mirrored from what it used to be and, upon leaving, it seems the rest of the opera house is just the same. If you remember one room being in the east wing, it's now in the west. If it was in the west, it's now in the east.
Welcome back to the Opera House, friends. Even in death you're still in the woods.]
WEEK 1 | WEEK 2 | WEEK 3 | WEEK 4 | WEEK 5
[ooc: Welcome to deadland, darlings! It's a perfectly mirrored version of the Opera House and each week, as new people die after new floors have been revealed, the stairwell doors will unlock and allow you to reach them. For example, week 3 victims will unlock floor 2 and so on and so forth. Also, all dead characters will wake up at their actual canon point.
Have fun because we have some fun things planned for you.]
When you open your eyes it might take you a minute to recognize your surroundings. For the executed, it's your dressing room. For the victims, you startle awake in the place your body was discovered. But no matter where you are nothing is where you remember it. It's like everything has been picked up and moved to the other side of the room. The entire room has been perfectly mirrored from what it used to be and, upon leaving, it seems the rest of the opera house is just the same. If you remember one room being in the east wing, it's now in the west. If it was in the west, it's now in the east.
Welcome back to the Opera House, friends. Even in death you're still in the woods.]
[ooc: Welcome to deadland, darlings! It's a perfectly mirrored version of the Opera House and each week, as new people die after new floors have been revealed, the stairwell doors will unlock and allow you to reach them. For example, week 3 victims will unlock floor 2 and so on and so forth. Also, all dead characters will wake up at their actual canon point.
Have fun because we have some fun things planned for you.]

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But, she's put one on a utility belt that she's wearing! See, this is much better. It's out in the open. ...Like the Phantom!
I'll give you one guess as to what she does when she sees him all out and walking around, and it absolutely involves pulling a knife out and charging with ghostly intent! ]
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- and then she's blown backwards. Not hard enough to knock her off her feet, probably, but hard enough to get her away.
The Phantom, for the record, reacts to exactly none of this.]
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With a squeak, Riley stumbles back, dropping the knife as she does. ]
What...? What was that? I couldn't even...
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Hey!
[ And throws it, with ghostly intent! ]
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Well, maybe not none. A few seconds later, he shifts, frowns, and starts to remove the glove from his right hand.]
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......Maybe her knife? Riley looks at it in contemplation before groaning and stomping her foot. What's he do with that glove, anything? ]
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There, from an inner pocket, he pulls out just an actual smartphone! Holding it in his gloved hand, he looks at the screen, types briefly on it with his ungloved index finger, and puts it away again.]
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Ohhhhh, come on!! Who's protecting this fucking monster?! I'm a ghost, I should be able to at least mildly irritate!
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Why're you even out here?! Asking about- pretending you- [ She bites back a shriek of a groan. The one time she actually wants to hear what the Phantom has to say and she can't communicate with him! Of course!
Guess she can't get close enough to try and possess him either, huh? ]
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Gee, if only there were some means of communicating with him!]
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Okay. No. Fine. Riley's going to take a moment, breathe, and try tracing something out in the dirt, like Claudine: ]
GO AWAY
[ nailed it? ]
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Ah - no.
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Why are you here?
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I don't even know what it is. Even if I were concerned, I hardly see how I would go about affecting something I do not understand.
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Weren't you supposed to be a ghost?
Or was that something else only in the story?
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