now let's skip the tears and start on the whole-

[stagemanagers]

[You remember dying. Maybe the memory is clear and bright and your body still aches from the cause. Maybe it was fast enough that you didn't feel it and don't remember what you went through. But no matter how you went out you're still trapped here.

When you open your eyes it might take you a minute to recognize your surroundings. For the executed, it's your dressing room. For the victims, you startle awake in the place your body was discovered. But no matter where you are nothing is where you remember it. It's like everything has been picked up and moved to the other side of the room. The entire room has been perfectly mirrored from what it used to be and, upon leaving, it seems the rest of the opera house is just the same. If you remember one room being in the east wing, it's now in the west. If it was in the west, it's now in the east.


Welcome back to the Opera House, friends. Even in death you're still in the woods.]


WEEK 1 | WEEK 2 | WEEK 3 | WEEK 4 | WEEK 5


[ooc: Welcome to deadland, darlings! It's a perfectly mirrored version of the Opera House and each week, as new people die after new floors have been revealed, the stairwell doors will unlock and allow you to reach them. For example, week 3 victims will unlock floor 2 and so on and so forth. Also, all dead characters will wake up at their actual canon point.

Have fun because we have some fun things planned for you.]

Comments

[superbeliever]

[Richard doesn't like this one bit. He goes oddly quiet, his expression pensive, as he makes his way to the box that it's by now become routine to sit in. It feels like just yesterday he spoke to Christine, but it feels like it also may be days ago, and he... doesn't want to find out who else is dead.

When the Phantom makes his announcement, whoever is sitting next to Richard will see his hands clench into fists against his knees, but no other change in his demeanor.

For once, he thinks, he'll go to meet the victim this time.]